Between Gazettes
Gazette front page current calendar About the Gazette publication schedule links News Releases browse back issues


April 23, 2003

top stories:

  Arts Common a work in progress
             Williams gets a warm welcome
                  Units urged to plan State Employee Appreciation Week activities

more stories

news briefs

faculty/staff news

photo page


complete contents


Contact the
University Gazette:

(919) 962-7124
FAX (919) 962-2279

The Gazette staff solicits ideas for interesting feature stories. Do you have one to share?



Savine acquisition a library coup
Jewish studies center established
Easley appoints alumni as trustees
Class studies challenges facing music industry
Reach beyond the strong

FYI Research: Freeze-dried platelets at heart of new startup

Medical Sciences Research Building

Other sources can help with medical bills

Savine acquisition a library coup

The University Library has acquired one of the world's largest collections of rare Russian books, serials, manuscripts and photographs, assembled over 30 years by a Paris bookseller and his wife.

A gift from Van and Kay Weatherspoon of Charlotte enabled the library to purchase the personal collection of the late Paris book dealer Andre Savine and his wife, Svetlana, and the inventory of their bookstore, Le Bibliophile Russe. The Savine Collection, which is still being cataloged, is estimated at more than 20,000 items.

Its presence at Carolina positions the University as one of the world's top sites for research in the field of 20th-century Russian emigration, University officials said.

"Anyone with a UNC degree has the obligation to do what he or she can do in order to maintain and hopefully improve the competitive position of the University," Van Weatherspoon said of the purchase. "We didn't want to see the University pass up this wonderful opportunity."

Born in Paris, Andre Savine was the son of a White Army soldier who left Russia during the first wave of emigration following the Bolshevik Revolution and the Russian civil war. Two other waves of emigration -- one after World War II and a third in the late 1960s -- ended with the collapse of the Soviet Union in 1991. During this period, thousands of writers, philosophers, scholars and political figures whose ideas were not deemed acceptable to the Soviets settled outside of Russia, where they continued to write and publish in Russian. Their works complete the picture of Russian intellectual life in the 20th century.

The Savine Collection consists of sub-collections documenting the lives of Russian exiles. The first sub-collection, "Militaria," contains hand-written and illustrated journals, memoirs and documents of Russian White Army regiments exiled to the Gallipoli peninsula in Turkey. Also included are orders, photographs and archival materials of White Army commander-in-chief Gen. Vrangel, as well as journals published by émigré veterans associations documenting the lives of Russian soldiers and officers.

In the second sub-collection, more than 10,000 books feature poetry, fiction, history, memoirs, philosophy, religious studies, politics and children's literature. First editions are autographed by authors including Nabokov, Chaliapin, Tsvetaeva, Berberova and Yusupov. Also included is the unpublished 10-volume diary of N.V. Savich, a long-term member of the Russian Duma, or parliament.

A third sub-collection features archives, including memorabilia from Russian émigré publishing houses and materials from the Union of Russian Taxi Drivers in Paris, the Paris Union of Russian Nurses and the Russian Orthodox Church.

The Savine Collection enriches Carolina's already sizable holdings from the third wave of Russian emigration, University officials said. "This purchase encompasses the entire span of 20th-century Russian emigration," said Nadia Zilper, Slavic and East European resources bibliographer at Carolina and curator of the Savine Collection. "Material from the earliest period is scattered around the world in bits and pieces.

"The value of the Savine Collection lies in the assembling of so many items in one library. Moreover, it contains a significant number of monographic and serial titles not held by any institution in the world -- particularly full runs of serials. It puts the University of North Carolina at Chapel Hill on a whole new level as a resource to students and researchers."

Materials from the Savine Collection will be available for research once cataloguing is finished, a task estimated for completion in 2006.

Jewish studies center established

Carolina has established a new interdisciplinary research and teaching center to explore Jewish history, culture and religion in the United States and abroad.

"The Carolina Center for Jewish Studies will provide a scholarly understanding of Judaism and the historic Jewish experience," said Chancellor James Moeser. "We are excited about this interdisciplinary opportunity to build on the strengths of faculty members in many departments."

Jewish studies faculty

The Carolina Center for Jewish Studies will include the following Carolina faculty:

* Yaakov Ariel, religious studies;

* Christopher Browning, history;

* Erin G. Carlston, English;

* Bart Ehrman, religious studies;

* William Ferris, history;

* Jonathan Hess, German language;

* Beth Holmgren, Slavic languages and literature;

* Armin Lange, religious studies;

* Madeline Levine, Slavic languages and literature; and

* Jodi Magness, religious studies.

As part of the University's Carolina First campaign, the center is seeking funds to support additional faculty, research, course offerings, fellowships and public programs.

Judaism and Judaica have been studied at Carolina since 1947, when the department of Religious Studies was established. Until recently, most courses focused on the study of biblical sources and Hebrew languages. The new center brings together scholars

from a range of academic departments including English, Germanic languages, history, political science, religious studies, and Slavic languages and literatures.

"Carolina was one of the first major public universities to offer courses in Judaism more than 50 years ago," said Risa Palm, dean of the College of Arts & Sciences, where the new center is based. "It's appropriate that we build on that leadership now by drawing on our faculty expertise in key areas concerning the Jewish experience throughout history."

The center has a three-fold mission: to teach undergraduate and graduate courses, create and disseminate new research, and convene public conferences and lectures featuring leading scholars of the Jewish experience in the United States, Europe, Israel and beyond. An important first step occurred March 26, when University officials approved a new undergraduate minor in Jewish Studies to begin this fall. Plans call for an undergraduate major program in the near future.

The center will provide for the study of the culture, history and religion of the Jewish peoples in interaction with the wider community in which they live, said Jonathan Hartlyn, director of the center and professor and chair of the department of political science.

"Our program will provide rich knowledge of the Jewish experience reaching back to early Judaism. There will be attention to the modern Jewish experience in Europe and the United States, including the American South, as well as in other world regions."

Hartlyn noted also that attention will be paid to a comparative analysis of Jewish political and economic life, educational and cultural expression and demographic trends, to the Zionist movement, and to the history of modern Israel in its regional context.

The center held its first advisory board meeting in February. Charter members of the board include alumni, attorneys, business executives and Jewish community leaders. Additional members will be added in the future.

Easley appoints alumni as trustees

N.C. Gov. Mike Easley recently appointed John G. B. Ellison Jr. of Greensboro and Robert W. Winston of Raleigh to the Board of Trustees.

Ellison and Winston will replace outgoing trustees Jim Hynes and David Pardue.

Ellison is the president and chief executive officer of The Ellison Company Inc. He serves on the campaign cabinet for the University capital campaign 2000-07. He is a member of the Chancellor's Club, the Tar Heel Network, the General Alumni Association board of directors and the co-chairman of the Triad Regional Chapter of the Carolina First Steering Committee.

Ellison received his bachelor's degree in history in 1969 and his master's in business administration from Carolina in 1972.

Winston is the chief executive officer of Winston Hotels Inc. He is a member of the Raleigh-Durham International Airport Authority Board of Directors, the University Board of Visitors, Institute for the Arts and Humanities, University of North Carolina National Development Council, Phi Gamma Delta Fraternity Board of Directors, Phi Gamma Delta House Rebuilding Committee, Regional Campaign Committee for Carolina First campaign, Wake Medical Center Foundation Presidents' Circle and Greater Triangle Regional Council.

Winston graduated from Carolina in 1984 with a bachelor's degree in economics and political science.

The duties of the of trustees are to promote the sound development of the institution within the functions prescribed for it, helping it to serve the state in a way that will complement the activities of the other institutions and aiding it to perform at a high level of excellence in every area of endeavor.

The board consists of 13 members who serve four-year terms. The governor appoints four members.

Class studies challenges facing music industry

The music industry today is plagued by the things that would make for a great country song -- falling album sales, piracy issues, dwindling shelf space in retail stores, sluggish growth and radio consolidation.

The intricate challenges of the industry are the stuff of news headlines, and these same issues are great fodder for an in-depth strategic class study, says Anne York, a management professor at the Kenan-Flagler Business School. Her undergraduate strategic management class is undertaking a semester-long project on the changes in the industry, including legal, ethical and strategic challenges. The case-study method challenges students by exposing them to business situations in the real world.

"Many students download music from the Internet. They don't see themselves as Robin Hoods, but there are ethical and copyright issues involved," York said. "We'll look at the music industry from all sorts of perspectives. Is prosecution the answer, or is it more an issue of ethics and integrity?"

York said she chose the project because it's very relevant to students, who are among the target consumers for the music industry.

"This presents students with a real-time, complex, global, multi-stakeholder issue," she said. "I want them to come up with a creative strategic position for the firms who are struggling with these issues, and I want them as consumers to think through the issues and consider the ethical implications."

York brought in guest speakers to represent various stakeholders in the industry, including Jay Boberg, former chief executive officer of MCA Records, a division of Vivendi Universal. Boberg, who just stepped down from his post in January, spoke to the class on April 21. He has been credited with helping to discover acts such as R.E.M. At MCA, he helped to shepherd hits from artists Shaggy and Mary J. Blige, among others.

Other guest speakers included:

* April 14: Durham Barnes & Noble store manager Dan Kosse and Laura N. Gasaway, Carolina law professor and director of the law library. Gasaway teaches courses on intellectual property and cyberspace law.

* April 16: Edward Freeman, director of Darden Business School's Center for Applied Ethics at the University of Virginia. Freeman, a professor and musician, has written cases for Darden on the music industry.

Students have "virtually" studied one of the most outspoken, longtime critics of the recording industry, rocker Tom Petty. His latest album, "The Last DJ," offers a scathing commentary of the music industry, bemoaning disc jockeys who have their hands tied by corporate owners and cynical executives getting rich off disposable pop stars. The album has been met with mixed reaction from radio stations; some of which have refused to play it.

As a culminating class assignment, students will be divided into teams and will take on the role of consultants at one of six major music companies. Their team paper will answer the following questions: What's your company's current strategy? What changes do you recommend and why?

Business student Alona Tolentino said it will be interesting to follow the strategies that recording and distribution companies develop in order to combat the loss of sales due to Internet sharing.

"The legal conflicts and changing policies in the music industry affect how our generation obtains, distributes and shares any form of musical communication," she said.

Student Neal Chandoke, who is interested in a management career in the music industry, said the class is thought-provoking because students are charged with recommending strategies for the industry's future, and that future is uncertain.

"These companies are at a crossroads in their lifespan, and the next few years will be critical in their survival, as the Internet, MP3s and CD burners hamper their revenues and net income," he said.

Master of accounting student Brian Bruchs is working with York on an independent research study. They'll be writing an updated case on the music industry and its many challenges.

"We've been analyzing the financial statements of some of the music companies and researching the issues facing the industry, namely piracy, the economy, CD-burning and file-sharing," he said. "We're trying to determine how companies might adjust their strategies to be more successful."

Reach beyond the strong

Trudier Harris-Lopez says portraying black
characters as always strong 'takes away a
portion of their humanity'

You wander the maze of Greenlaw Hall -- the flat-topped, 1970s brick building where Carolina keeps its English professors -- to find her door. Unlike the others, hers stands unadorned. Only a white card, a room number, and her name.

Her name means a lot. She is: one of the most widely read scholars of American literature, coeditor of "The Oxford Companion to African American Literature," coeditor of "The Literature of the American South: A Norton Anthology."

Quite a list. Scary. But knock on that door. When Trudier Harris-

Lopez answers, her voice is deep and booming. She looks at you directly, expectantly. Oh boy.

Things you won't find on her resume

She loves action movies, finds them a release from all that internal work of grading essays and writing. "These movies are transcendent," she says. "I let my frustrations be taken out through the feet of Jean Claude Van Damme or Jackie Chan."

When she was in eighth grade she wanted to be a physical education teacher. She gave up that notion for good her first year in college, when a girl "about half as tall" as Harris-Lopez (who is 5'10") outran her.

In high school, she was hooked on reading "True Stories" and "True Confessions" magazines -- even during class. "I had the reading habit. I didn't have anyone guiding my reading," she says. When she reached college, she found teachers and mentors who introduced her to "the good stuff" -- in addition to traditional literature, philosophers such as Machiavelli and Marx and Engels. "I discovered that writing was fun," she says. That's when she decided to teach literature.

Harris-Lopez tells you that she is a teacher, an African-American scholar, and, not least of all, a Southerner. She is also someone who isn't afraid to look closely at and critique the literature of her own culture -- point out emerging stereotypes, places where things may be getting too safe.

You are a white woman who has read only the obvious writers -- James Baldwin, Ralph Ellison, a little Alice Walker. You ask some questions, listen, then ask some more. You try to keep up.

Harris-Lopez has filled book after book with her ideas about literature. In her latest, "South of Tradition," she exposes taboos in African- American literature -- subjects or character traits that many black writers have avoided. Black women characters, for example, are almost never promiscuous or even irresponsible. They mother their own children and then some. And with some exceptions, black writers don't portray incest or homosexuality, or they only allude to it.

Why? "There's a whole mythology that they're writing against," Harris-Lopez says. That mythology includes, for instance, the idea that black people are oversexed. That black women possess an animal magnetism irresistible to white men -- slave owners. That black men are violent.

So it's natural that writers would, consciously or not, try to counter those stereotypes, she says. One overcompensation -- the strong black woman. She serves God, cares for her children, and makes up for men's shortcomings. Often physically big and strong, she doesn't need relaxation, or sex, or a confidant. This type is so prevalent that Harris has written a book about it -- "Saints, Sinners, Saviors: Strong Black Women in African American Literature." A classic example is Tante Lou (in Ernest Gaines' "A Lesson Before Dying"), who's raised countless godsons on fried chicken and pralines. When she orders an adult godson to do something, he can't refuse. There's also Velma Henry (Toni Cade Bambara's "The Salt Eaters"), who does the work of seven people, and Pauline Breedlove (Toni Morrison's "The Bluest Eye"), who knocks out her abusing husband with a frying pan.

At first, showing these kinds of women was a breakthrough. "When you look at Mama Lena Younger and what Lorraine Hansberry did with her in 1959, that's certainly to be applauded on the one hand because you've finally got a black woman on stage, on Broadway, who looked like a whole lot of black women out there in black communities," Harris-Lopez says, talking about "A Raisin in the Sun." "But on the other hand, if after a while you just keep putting her there, and you don't have other things, then you've lapsed into stereotype again."

Some writers have ventured outside the stereotype. Harris-Lopez points out that before 1970, black women characters couldn't "go crazy." No matter what, they managed. But by 1973, for example, in "Really, Doesn't Crime Pay?" Alice Walker writes of Myrna, who "cultivated her nervous breakdowns." And, by the 1980s, writers such as Toni Cade Bambara and Gloria Naylor were expanding the portrayal of the strong black woman by giving her otherworldly powers -- she can talk to ghosts, create lightning storms, or die and then watch over the living. And in "Parable of the Sower," Octavia E. Butler writes of Lauren, a black woman who has a healthy interest in sex but no desire to have children. But Lauren doesn't completely defy the stereotype; she has the physical strength of a man and watches over four brothers and sisters.

Harris-Lopez calls for writers to expand their reach even more. For instance, she still finds few truly equal friendships among black female characters. Most of these women need nobody. She wants to see writers give such characters a chance to "look across" at someone, rather than always looking down. "I think to keep portraying them as always strong takes away a portion of their humanity," Harris-Lopez says. "It's the complexity of character that I'm angling for."

Harris-Lopez can understand writers' inclination to create black characters who "put the best foot forward." Take her intense, negative reaction to "The Color Purple," back in 1982. When you ask about it, she says it's ancient history. She has talked about it plenty. But still.

Harris-Lopez has said that to criticize "The Color Purple" is often seen as deserting the black woman writer. But she didn't let that stop her. She felt that "The Color Purple" played to many of the historical stereotypes. "There didn't seem to be any space for relief from this violence, sexual violation, sexual abuse," she says. "I was hoping that black writers had enough of a sense of connection to black communities that if they were going to present that kind of ugliness, it would be balanced out with some kind of goodness."

The book, she said, was "a loaded gun in the hands of those who were already inclined to malign black people."

People often assume that black writers' stories are more than just stories. That they speak for the race. "Any writer can go out there and write whatever he or she wants," Harris-Lopez says. "But the consequences for doing so are dramatically different if you're an African American writer." Once, a twenty-something man said to her, "I'm so glad we read "The Color Purple" because now I know how black people in Georgia lived in the first few decades of the twentieth century." Harris-Lopez shakes her head. "There were these folks who were reading it as a documentary of black people's lives."

"I was concerned with this larger issue of what writers should and should not do in relation to their communities. Even using the word `should' in connection with a writer is problematic. And I recognize that."

Today she has tried to see other sides of that book. In "South of Tradition," she highlights the use of humor in "The Color Purple." She was inspired by lively exchanges with her students, some of whom were bent on proving her wrong. "So I assigned myself the task of going back and saying, `okay, can you see something else?' It was also a good opportunity to let students know -- you are a reader, and when the teacher says something in the classroom, you can challenge that."

You've exhausted your questions about literature. So you ask about her connection to the South. Her emphatic answer is a surprise. "The South is where I belong," she says. Her upcoming book of personal essays, "Summer Snow," includes an essay by the same name that explains. "`Summer Snow' deals with this whole notion of how rare it might seem for a black person in the South to say, `I embrace the South, and all that means, as well as I embrace my blackness,'" she says. "So it's about like snow falling in Alabama in July."

She continues. "My father's blood is in the soil in Alabama, and just because George Wallace was governor of Alabama doesn't mean that I don't still claim that soil."

She mentions her 1984 book on lynching. Not exactly a pretty topic. "But what am I supposed to do, say `I'm not related to that at all?' Because those black people are culturally, communally related to me, even if they are not biologically related to me. But embracing that soil, embracing that history doesn't mean that I embrace the violence, doesn't mean that I embrace the segregation," she says. "The South is where I feel most comfortable."

By now, you are more comfortable too, in this office with her. Harris-Lopez does indeed have decades of writing experience, a resonant voice, a piercing eye. But she also has a laugh just as deep as her voice. You hear it when you ask a naive question. "Oh child," she says. "That's asking me to write a ten-volume book."

"South of Tradition" was published in October 2002 by The University of Georgia Press. "Summer Snow" will be published by Beacon Press in April 2003.

Editor's note: This story is reprinted from the Winter 2003 issue of "Endeavors," a magazine highlighting research at Carolina. It is published three times a year by the Office of Graduate Studies and Research. Neil Caudle serves as editor, and Angela Spivey -- who wrote this piece -- is associate editor. Employees who would like a free subscription should send their name, job title, department and campus address to the "Endeavors" office via campus mail (Endeavors, CB 4106), e-mail ( or the subscription form at the magazine's web site (

FYI Research: Freeze-dried platelets at heart of new startup

Inside your body, platelets rush to the site of an injury and activate, sticking together to clot your blood. But take these cells and try to store them, and they lose some of their power. Once

Name Change

The division formerly known as the Office of the Vice Chancellor for Research and Graduate Studies has changed its name.

Effective April 1, the division, led by Vice Chancellor Tony Waldrop, became the Office of the Vice Chancellor for Research and Economic Development.

"The new name more accurately reflects the overall responsibilities of the division and reflects the crucial role that research plays in contributing to North Carolina's economic growth," Waldrop said.


put back inside the body, stored liquid platelets can rejuvenate in a few hours and help prevent bleeding. But they're not fast enough or reliable enough to stop acute bleeding from a gunshot wound or other injury.

A new Carolina startup company, created with the help of the University's Office of Technology Development, is well on its way to a solution -- a method of freeze-drying platelets that preserves their function. Tom Fischer, associate professor of pathology and lab medicine, and other researchers behind Hemocellular Therapeutics have developed freeze-dried platelets that have been shown in more than 250 studies in rabbits, dogs and pigs to stop acute bleeding. The researchers plan to have a product ready for testing in humans within 18 months.

The key to their technology, Fischer said, is a process called molecular cross-linking, which involves adding a molecule of paraformaldehyde to the cells. "The molecule has a reactive chemical group on each end of it. So it's got two active parts, and it will sit down and join two proteins together on the surface of the platelet so that they are then stabilized," he said. "We end up with a net-like structure all over the surface of the cell that gives it a little strength so that it won't rupture when frozen due to ice expansion." This structure preserves the platelets so they can survive the freeze-drying process.

Paraformaldehyde is a reactive derivative of formaldehyde. That sounds a bit scary --formaldehyde in a blood product? But, Fischer said, paraformaldehyde doesn't "persist in the product." Any chemical that doesn't react with the cells is washed away before freeze-drying.

For many years, scientists have been "fixing" cells with paraformaldehyde to preserve cell structure for viewing under a microscope. But the fixing usually destroys the function of the cells. Hemocellular's technology preserves the cells and their function. Marjorie Read, emeritus professor of pathology, is the "real innovator" behind this technology, Fischer said.

"Dr. Read's brainstorm was finding the sweet spot -- the point where the platelets were cross-linked just enough to preserve them but their function was not destroyed," he said. "Her genius was to first ask the question `Well, can we do this?' And then she went in the lab and did it."

Read achieved that result in 1992. Since Read's retirement, Fischer has continued the work. "So 11 years later, we've shown that not only does the cross-linking work, but the lyophilized [freeze-dried] platelets can retain function to stop bleeding in animals, and can be stored for a long period of time," Fischer said. The paraformaldehyde also sterilizes the platelets, reducing risk of infection.

Other research groups have done work on methods of freeze-drying platelets, but Hemocellular's technology is the closest to becoming a usable product. Researchers at the University of California, Davis, for example, have been preserving platelets before freeze-drying by adding a sugar called trehalose. But these platelets have not yet been shown to retain their function, Fischer said.

Now Fischer and Arthur Bode, cofounder of Hemocellular and a pathology professor at East Carolina University, are working to meet FDA requirements so the product can progress to the next step -- testing in human clinical trials. "We're working on getting every little detail worked out," Fischer said, "to make sure we have a very consistent manufacturing process."

For information about reporting inventions of your own, contact the Office of Technology Development at 966-3929 or visit its web site at

Provided by Graduate Studies and Research
Writer: Angela Spivey
Editor: Neil Caudle

Medical Sciences Research Building


* Project location: S. Columbia Street, south of Carrington Hall.

* Projected cost/funding source: $24 million/state bond.

* Scope/benefits of project: Modern infrastructure systems supporting state-of-the-art facilities. Major addition to provide office, teaching and training space to enhance community health care delivery.

* Square footage: 61,300 (addition).

* Projected construction timeline: May 2003 - August 2005.

Impact on campus aesthetics

* Trees/green space/landscaping (information about any trees being removed, replaced and/or added because of the project): Several large oak trees will be preserved; other smaller trees will be removed.

* Architecture (information about how the project will fit architecturally with its immediate area): The addition complements surrounding buildings, as well as improves the sense of place and entry elements.

Impact on visitor parking, transit, traffic and pedestrian safety

* Visitor parking: None.

* Transit: There will be a five-day maximum period when Columbia Street will be reduced by one lane for utility installation.

* Traffic: None.

* Pedestrian safety: Pedestrian access will remain along Columbia Street but will be limited on the east side of the project.

For more information and updates

* See Facilities Capital Improvements Program web site at Projects.asp?Project=25.

* Contact design manager Carole Acquesta at:

Other sources can help with
medical bills

One of the greatest challenges facing seniors is the rising cost of quality medical care and prescription drugs and the scarcity of programs to assist with or offset the cost of care. Most people are at least familiar with the major medical assistance programs such as Medicare and Medicaid. However, not everyone knows if they are eligible for such programs and if they are, how to enroll in the programs.

Looking for help?

The following resources may be helpful in finding assistance with health care costs:

Seniors' Health Insurance Information Program (SHIIP)


Centers for Medicare and Medicaid Training

Medicare is a health insurance program for people who are over age 65 or who have disabilities and have been receiving social

security for a set amount of time, or who have end stage renal disease. People with Medicare typically pay a portion of their medical costs. Medicare is administered by the Centers for Medicare and Medicaid Services, an agency within the Department of Health and Human Services, while the Social Security Administration handles enrollment. For enrollment information, contact the N.C. Social Security Administration at 1-800-772-1212 or the national Social Security office at 1-800-MEDICARE.

Medicaid is medical assistance for people who have limited income, are disabled, or blind. Medicaid recipients do not typically pay for their services. In North Carolina, Medicaid is managed through the Division of Medical Assistance and, locally, through each state or county Department of Social Services.

Prescription drugs are particularly expensive and are often a recurring part of treatment for medical conditions. There is currently no universal drug program exclusively for seniors. Medicare does provide prescription drug coverage for seniors but only during a hospital stay. Supplemental coverage must be purchased in addition to standard Medicare coverage. Medicaid does provide coverage for those who are eligible.

Because prescription drug coverage is not provided as a part of the original Medicare plan, many seniors find themselves paying out of pocket for expensive, yet essential, drugs -- or simply not taking the medications that they need. If you are not eligible for Medicaid and cannot afford prescriptions under Medicare, there are a few other options for you, including assistance programs offered by drug companies, and N.C. Senior Care, a new prescription assistance program offered by the state.

Recognizing the need to make prescription drugs more affordable, some drug companies have initiated assistance efforts for people who qualify. Most physicians know about such programs and can provide you with information. GlaxoSmithKline, Novartis, Pfizer and Eli Lilly offer a drug discount card. Several other companies have joined forces to provide a joint drug discount card called Together Rx. Program eligibility and available discounts vary from one manufacturer to another.

In October 2002, the Health and Wellness Trust Commission of North Carolina contracted with the state Department of Health and Human Services to administer a prescription drug assistance program for people who have been diagnosed with cardiovascular disease, chronic obstructive pulmonary disease and/or diabetes and who are not eligible for Medicaid benefits. Senior Care program information is available from local pharmacies; area agencies on aging; departments of public health; social services; hospitals and community health centers throughout the state; and by request from the toll-free Senior Care hotline at 1-866-226-1388.

Stay Balanced!

Writer: Leslie Bacqué, Work-Family Manager
Employee Services, Office of Human Resources

Classical Cast

Travel in June 1902 was an arduous undertaking. A trip to Raleigh from Chapel Hill took hours, and it would be another 18 months before the Wright brothers left the ground.

Most North Carolinians could only dream of exploring art galleries in Paris or classical ruins in Greece. In the late19th century, museums and universities in Europe and North America built collections of plaster reproductions of classical statuary.

The reproductions, called "casts," were made with molds taken from original sculptures in Rome and Athens. Plaster casts allowed artists, amateurs and enthusiasts to study the form and modeling of ancient statues in full three-dimensional scale without traveling far from home. Carolina's graduating class of 1902 gave as its parting gift a cast of the Apollo Belvedere.

Currently displayed in the recently renovated Murphey Hall, Apollo is flanked by casts of Venus and Minerva. The original Apollo Belvedere -- itself a copy of an ancient Greek statue -- is part of the Vatican collections. Michelangelo was familiar with it, and his painting of Jesus in "The Last Judgment" in the Sistine Chapel bears a striking resemblance to Apollo. Although the original sculpture was a nude, turn-of-the-century mores prompted the cast maker to cover Apollo with a fig leaf for modesty.

To the Greeks, Apollo was the god of music and exemplified youth and beauty. To the class of 1902, Apollo was a bit of antiquity for 20th-century Chapel Hill.

ArtiFACTS, an occasional "Gazette" feature, looks at campus objects classified as historic property -- what they are, how they got here and why they're significant to the University. The piece is written by Anne Douglas, historic property officer.

university seal | copyright 2003